← Gauntlet ยท The KAWS Print Reference
Click to enlarge

Gauntlet Gallery

What is KAWS’s piece called “Kaws: Holiday Singapore (Brown)”?

Year2021
SeriesHoliday Series
EraMonumental and Holiday Era
Collector6/10
Visual6/10
Historical6/10
ScarcityModerate

Summary

This brown colorway figure was released for the Singapore stop of KAWS's HOLIDAY series, which featured a colossal floating reclining Companion staged on the water near Singapore's Marina Bay. The collectible distills that monumental public installation into a desk-scale vinyl figure, depicting the Companion at rest with KAWS's hallmark X-ed-out eyes, crossbones-cartoon lineage, and rounded, gloved form. The muted brown palette aligns it with several core HOLIDAY releases, foregrounding the figure's contemplative silhouette. As with the broader series, it functions as both an affordable art object and a souvenir of a ticketed, crowd-drawing public spectacle.

Why It Matters

The Singapore HOLIDAY installation was among the most photographed stops on KAWS's global tour, its giant Companion appearing to float and rest on the water in a striking image of repose and vulnerability. The brown figure matters as the ownable echo of that event, translating a fleeting public experience into a permanent collectible. KAWS's Companion has always read as an emotional surrogate, its self-covering gestures and crossed-out eyes suggesting weariness or melancholy beneath a buoyant pop exterior, and the floating, reclining HOLIDAY pose deepens that meaning. These figures are central to KAWS's democratization of collecting, offering globally recognized iconography at accessible prices. The Singapore release also reflects the artist's strategic embrace of Asia as a primary stage for his public art, where enormous audiences engaged with the Companion as both spectacle and shared cultural touchstone.

Collector Perspective

This figure appeals to HOLIDAY series collectors building a geographic set and to fans drawn to the iconic floating-Companion imagery of the Singapore installation. The brown colorway suits collectors who prefer restrained, sculptural tones that present as serious objects. On a shelf or pedestal its reclining form is calm and inviting, and within a KAWS collection it slots alongside other location figures like Hong Kong, Japan, and Changbai Mountain to tell the story of the world tour. Condition, surface integrity, and original packaging are the primary value considerations. It is a solid mid-tier piece that demonstrates committed engagement with KAWS's monumental period.

Historical Context

Singapore (Brown) belongs to KAWS's monumental and holiday era. Having built his reputation on 1990s subway interventions and 2000s vinyl toys, Donnelly spent the late 2010s onward staging HOLIDAY installations at landmark sites across Asia and beyond. The Singapore stop, with its water-borne floating Companion, was a signature chapter, generating widespread media imagery and a corresponding figure edition. This release exemplifies the mature KAWS model, in which a monumental installation, a vast public audience, and a distributed collectible reinforce one another, extending the Companion's reach from gallery and toy shelf into global public consciousness.

FAQ

What installation does the Singapore figure commemorate?

It commemorates the Singapore stop of KAWS:HOLIDAY, which featured a giant floating reclining Companion staged on the water near Marina Bay.

What is the figure made of?

It is a collectible vinyl figure depicting the resting Companion with KAWS's signature X eyes; precise edition details should be verified before purchase.

Why brown?

Brown is a recurring core colorway across the HOLIDAY series, giving the figure a warm, sculptural, neutral presence.

How does it fit a collection?

It pairs with other HOLIDAY location figures to assemble a geographic record of KAWS's global installation tour.

Related Works

About the Artist

KAWS portrait

KAWS is the working name of Brian Donnelly (b. 1974, Jersey City). He began in the 1990s subverting bus-shelter and phone-booth advertisements, then built a singular visual language around the Companion — a Mickey-Mouse-descended figure with crossed-out X eyes — alongside Chum, BFF, Accomplice and a cast of appropriated cartoon characters. His practice spans paintings, screenprints, vinyl and bronze sculpture, and the monumental KAWS:Holiday installations shown in cities worldwide. His work is held by the Brooklyn Museum, the Modern Art Museum of Fort Worth, and major private collections, and he is among the most collected artists of his generation.