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Gauntlet Gallery

What is KAWS’s piece called “Presenting The Past”?

Year2014
Listed price$3,500.00
SeriesPrint
EraCompanion and Fine Art Era
Collector6/10
Visual7/10
Historical6/10
ScarcityModerate

Summary

Presenting The Past is a screenprint by KAWS rendered in his flat, hard-edged graphic style, building its composition from cropped and layered cartoon elements treated with the artist's signature X eyes and appropriated forms. The title's nod to memory and reflection aligns with the melancholic undertone that runs beneath KAWS's bright pop surfaces, where familiar characters are abstracted into masses of hands, eyes, and curved shapes. Executed as a limited screenprint with saturated color and precise registration, the work distills KAWS's vocabulary into a single resolved image meant to read instantly from across a room while rewarding closer looking.

Why It Matters

Single-sheet screenprints are the backbone of KAWS's relationship with collectors, the accessible entry point through which most people first own an authentic work by the artist. Presenting The Past matters as a clear example of how KAWS converts the language of cartoons and advertising into editioned fine art, using crossed-out eyes and fragmented anatomy to make mass-cultural imagery feel both familiar and unsettling. The title's theme of memory connects to the quiet melancholy that critics increasingly identify as central to his work, the sense that his cheerful characters carry an undertow of loss. For collectors, prints like this are liquid and recognizable, trading on the strength of KAWS's name and the consistency of his graphic identity. They function as the connective tissue of a collection, affordable relative to his paintings and sculptures yet unmistakably his, and they have helped build the broad, global audience that underpins the value of his rarer, larger works.

Collector Perspective

Presenting The Past suits collectors seeking an authentic, wall-ready KAWS screenprint without the cost of a sculpture or painting. Its bold flat color and instantly legible graphic make it an effective statement piece in a contemporary interior, and it pairs naturally with other KAWS prints to build a coherent display. Within a collection it serves as a versatile core holding, accessible enough to acquire yet carrying the full weight of the artist's identity. As with all KAWS editions, condition and provenance are decisive: clean margins, strong unfaded color, and clear documentation of authenticity sustain both desirability and resale.

Historical Context

The print belongs to KAWS's fine-art and Companion-era practice, when editioned screenprints became a steady, defining output alongside his paintings and sculptures. By this point the journey from subway interventions and vinyl toys to gallery and museum recognition was complete, and prints functioned as the medium that kept his work circulating to a wide audience. Presenting The Past reflects the fully formed flat-graphic appropriation style that characterizes this mature period, in which cartoon source material is abstracted into resolved, self-contained compositions.

FAQ

What kind of work is Presenting The Past?

It is a limited screenprint by KAWS in his flat-graphic style, built from cropped, appropriated cartoon imagery with his characteristic crossed-out eyes.

Why do KAWS prints appeal to new collectors?

Screenprints are the accessible entry point into KAWS's market, recognizable and comparatively liquid, letting collectors own an authentic work without the cost of his sculptures or paintings.

What affects its value?

Condition and authentication: clean margins, strong unfaded color, and clear provenance. Specific edition size and date should be confirmed against published records.

About the Artist

KAWS portrait

KAWS is the working name of Brian Donnelly (b. 1974, Jersey City). He began in the 1990s subverting bus-shelter and phone-booth advertisements, then built a singular visual language around the Companion — a Mickey-Mouse-descended figure with crossed-out X eyes — alongside Chum, BFF, Accomplice and a cast of appropriated cartoon characters. His practice spans paintings, screenprints, vinyl and bronze sculpture, and the monumental KAWS:Holiday installations shown in cities worldwide. His work is held by the Brooklyn Museum, the Modern Art Museum of Fort Worth, and major private collections, and he is among the most collected artists of his generation.